this post was submitted on 22 Sep 2024
17 points (100.0% liked)

Music Production

535 readers
1 users here now

This is Music Production. A place to share anything and everything you want about your music making journey! Learning is the goal, so discussion is encouraged!

RIP Waveform.

Rules are as follows:

  1. Don't share other people's music without commentary, analysis or questions. This is not a music discovery community.
  2. No elitism or bigotry towards other people's music tastes. Be polite in disagreement.

I will update rules as necessary, but I promise we'll stay light on them and only add new ones after discussion!

Here are some useful examples of what a great post would be about:

(in no particular order)

  1. Stuff you made/are making. Get valuable feedback and criticism!
  2. Learning resources - videos, articles, posts on any topic concerning a production process, be it composition, sound design, sampling, mixing, mastering, DAW workflow or any other.
  3. Free plugins, presets and samplepacks. Giveaways and self-made stuff included!
  4. News about production software, releases and personalities.
  5. Questions and general advice about music production.
  6. Essays on your favorite productions. Inspirations and insights!
  7. Your physical analog gear! Let us know how it performs!

Good to know: As a general word of caution, avoid posting complete compositions, mixes and tracks on the internet before backing them up on a remote and reputable server. Even small snippets or watermarked tracks should be posted AFTER backing it up to cloud. Timestamps from cloud services will help you in case of theft. And, as a public resource, lemmy is not a safe place to post your unpublished work, so please make sure your work is protected.

founded 1 year ago
MODERATORS
 
  • Does it lower the decibels of ambient above-surface noise, to what extent?

  • Is it preferential to filtering out low or mid or high frequencies or do they all move through it as a medium about equally in terms of perceptibillity by the submerged end observer?

top 5 comments
sorted by: hot top controversial new old
[–] [email protected] 8 points 1 week ago (1 children)

I'm going to take a guess at the observations that have lead to your questions.

Above water sounds are muffled when one is underwater. This is due to an impedance mismatch between two mediums, air and water. When airborne sound encounters the surface of the water, only a small fraction of that sound continues to travel through the water, the rest is reflected off the water's surface.

Similarly, our ears and vocal cords have evolved to be efficient transducers above water, but not when submerged. On the other hand, whales have evolved very efficient underwater transducers and can communicate with other whales over 100s, maybe 1000s of miles/kilometers. They typically communicate at low frequencies since attenuation increases with increasing frequency. This is similar to what happens in air, like when comparing thunder from a distant lightning strike to a strike that happens nearby: the distant strike sounds like a deep rumble since the mids and highs have been absorbed by barriers and the air while the nearby strike results in much more high frequency "crack" and "sizzle" sounds.

Just riffing over here. Sound is rad.

[–] cheese_greater 2 points 1 week ago* (last edited 1 week ago) (1 children)

So higher is attenuated more, indeed like a low-pass filter?

Is there a general rule or formula to calculate the reduction in volume/amplitude?

[–] [email protected] 5 points 1 week ago (1 children)
[–] cheese_greater 1 points 1 week ago (1 children)

Roughly, how much in decibel reduction would occur in fairly shallow submersion? Like 5-10db?

[–] [email protected] 3 points 1 week ago

What's being submerged here? The sound source? The receiver? Are both under? or is one or the other out of the water?