Pennsylvania Avenue Subway, Reading Railroad, Philadelphia, 2004.
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this post was submitted on 01 Oct 2024
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@[email protected] @[email protected] @[email protected] I was always pretty awful at darkroom work—pictures that I knew were there never came out the way that I felt that they should. I eventually resorted to dealing with a high-quality commercial lab. With digital, I can try things, undo them, copy the original and try different combinations, and more. Plus, of course, the nature of my chosen subjects means that I have to take a lot of pictures, most of which will be worthless.
@[email protected] @[email protected] @[email protected] One of the benefits of being in NYC during the film era was the ready availability of high quality commercial labs - often open 24hrs - that served the commercial photography, advertising , and publishing industries. Particularly for E6 transparencies, you could get dip&dunk processing in less than an hour at any time of day for a few bucks/roll. Basically no commercial photographers, and even few fine art photographers, bothered to maintain dark rooms.